2020 Vision: Making New Years’ Resolutions Stick for your Creative Goals

by Stage 32

2020 Vision Making New Years Resolutions Stick for your Creative Goals

Welcome to the new decade! The holidays are the perfect opportunity to take inventory of all the activities you have done this year and examine what has worked for you and what you need to improve on.

A Resolution is only as good as the plan devised to execute it.

And before the planning, comes the soul searching. Every activity we undertake in this life, be it professional, or personal, has an opportunity for growth at its core.

I am offering below some questions you may want to ask yourself that will show you what your top 5 priorities should be for your script, project, or film and some of my personal recommends and practical suggestions for the areas that you have decided, after careful examination, that contains the most of your weak spots.

How are your pitching skills?

If you know who your ICA (Ideal Client Avatar) is and you what emotion you need to convey to solicit a read or an in-person meeting, you are ahead of the game.

If you can write a query email that states who you are, the comps of your project or script, and gives just enough information on the story and plot to incite interest, you are ahead of the game.

If you can sit in a room or get on the phone with an interested party and be able to establish a genuine connection (knowing the person you are pitching to and making a personal compliment stick does go a long way) while being able to convey your passion and the most important elements of your story in less than 5 minutes, you are ahead of the game.

For some great tips on how to “sell” I would suggest you read “Born to Win” by Zig Ziglar.

What is the positive to negative feedback ration you have received so far?

If you have gotten at least 70% response to your queries or meetings and scripts submissions regardless of the reaction, you are ahead of the game. You made enough of an impression for an executive to take the time to let you know they did read you or thought of your project and therefore were able to respond in some manner.

If you had a polite pass, such as a compliment on some aspect of your story and writing or a pass with actual details on why your material was passed on, you are ahead of the game.

If you got a response for you to keep in touch with the progress of your project or script, you are ahead of the game.

If your feedback ratio is under 70%, then bluntly put, your material is just not good enough or its time for the current marketplace has not come.

Read the rest of the article at Stage 32…

How to Thrive as an Unemployed Actor

by Douglas Taurel

Acting is the only profession in which you will always be in a constant state of unemployment, always,  you will always be looking for work. You book a TV series, a film, a play or a tour, and when that project ends and it will end at some point, you’ll need to find work again. This is the harsh reality of being an actor but you can not only survive in this constant state of unpredictability, you can thrive. 

The key is to having a goal, having something to aim at. During times of unemployment, goals support and protect us. Goals keeps you sharp and they opens doors for you but most importantly, they give you a purpose as an artist.  You need a goal that inspires you to do more, and to improve every single day. Even if it’s only by a small percentage.  Be a better actor today than you were yesterday. Strive to do more today than what you did yesterday. 

Sitting around waiting to be booked on an acting job, or hoping that your agent or manager finds you work, is aimless and hopeless. And is what causes such large amounts of depression in actors.  You feel like you have no control over your artistic life but you do have control. You have so much more control than you think. 

Go to work on a monologue that needs to be sharpened, learn a new monologue, learn twenty monologues or create a project for yourself. Always be improving and creating every single day that you call yourself an actor. It is not only the best strategy, it is the only strategy you have. 

Improving your craft as an actor gives you a strong sense of purpose and direction, it invigorates you. It keeps you moving forward towards something a target, and that action will always open doors for you – and there’s a practical reason for this. 

Read the rest of the article at DouglasTaurel.com…